Process Thought, Music and Dance

Amodio, Barbara Ann. "The World Made of Sound: Whitehead and Pythagorean Harmonics in the Context of Veda and the Science of Mantra." Journal of Dharma XVII, no. 3 (July-September 1992): 233-66.

Beyer, Huntley.  “Music and Metaphysics at the Moment.” [Aesthetics and Process Thought Conference, January 1980.]  [Aesthetics, Music]

_____.  "Visions of Music and Relationship", January 1977 [Class Paper].

Breedon, D. F.  “An Investigation of the Influence of . . . Whitehead upon . . . Elliott Carter.”  Unpublished, D.M.A. Diss., University of Washington, 1975.

Colwell, Carter C.  “A Response to ‘Music and Metaphysics at the Moment’ by Huntley Beyer.” (unpubl.) PM 4:4

_____.  "A Response to 'Music and Metaphysics At the Moment' by Huntley Beyer", n.d. [Unpublished Paper].

Coogan, Jack.  “Process and Art: Form as Correlative Principle.” 24 pages. N.d.

Cowen, Denis.  “Commentary for the Whitehead Motets.” PM 7:3

_____.  "Morphology and Value in Music."  Ph.D. Diss.,  University of Chicago, 1960. [Not available at CPS]

_____.  “Prigogine, Music, and Whitehead.” 30 May 1984 [Unpublished Paper].

Dalton, Wayne A.  "The Fulfillment of Time:  A Langerian/Whiteheadian Aesthetic of Music Performance."   Ph.D. Diss., Claremont School of Theology, 1974.  [CPS has chapters 7 and 8] [Aesthetics, Bergson, Cosmology, Music, Time]

Diliing, Margaret. "The Aesthetic Theory of Charles Ives", January 1980 [Conference Paper]. [Aesthetics, Music]

Gary, Patricia M. Bernie Krause, Jelle Ateme, Roger Payne, Carol Krumhansl, Luis Baptista.  “The Music of Nature and the Nature of Music.”  Science  vol 291 (5 January 2001): 52-54.

Hart, Kerry D.M.E.  “Whitehead’s Process Theory as a Basis for Aesthetic Education Music.”  University of Northern Colorado, 1989.

Hartshorne, Charles.  “The Relation of Birdsong to Music.”  Ibis [Great Britain] 100, no. 3 (1958):  421-45.

Kuntz, Paul.  “Harmony, Musical and Otherwise.” (unpubl.) [abstract]

Langer, Susanne K.  “On Significance in Music.”  In Philosophy in a New Key:  A Study in the Symbolism of Reason, Rite, and Art, New York:  New American Library, 1951 (1942), pp. 174-208.

Martin, F. David.  “The Power of Music and Whitehead’s Theory of Perception.”  Journal of Aesthetics and Art Criticism 25 (Spring 1967):  313-22.  [Aesthetics, Music]

Pederson, Ann.  God, Creation, and All That Jazz.  St. Louis: Chalice Press, 2001. [abstract]

Schloesser, Stephen.  “The Method of Abstraction:  A Musical Analysis.”  Process Studies 15:1 (Spring 1986):  19-31. [Aesthetics, Music]

Seibt, Johanna, ed. Process Theories: Crossdisciplinary Studies in Dynamic Categories. Dordrecht: Kluwer Academic Publishers, 2003. [abstract]

Sheets-Johnstone, Maxine and David B. Richardson.  “Dance, Whitehead, and Faustian II Themes.”  In Illuminating Dance:  Philosophical Explorations. Lewisburg:  Bucknell University Press, 1984.

Sherburne, Donald.  “Meaning and Music.”  Journal of Aesthetics and Art Criticism 24 (1966):  597-83.  [Aesthetics, Music]

Stone, Else and Kurt Stone. The Writings of Elliott Carter: An American Composer Looks at Modern Music. Bloomington: Indiana University Press, 1977. [abstract]

Stowe, David M.  “Lively Music, Living God.”  Creative Transformation 5.1 (Fall 1995) 14-16.