Process Thought and Aesthetics
Alcorta, Jose Ignacio, Andres Avelino, Manuel Granell, et. al. ACTAS Segundo Congreso Extraordinario Interamericano de Filosofia, 22-26 Julio 1961. San Jose, Costa Rica: Imprenta Nacional, 1962. [Aesthetics, Epistemology, Ontology, Philosophy of Science]
Alexander, Samuel. Beauty and Other Forms of Value. Introd. Ralph Ross. Apollo edition. New York: Thomas Y. Crowell, 1968. [abstract] [Aesthetics, Cosmology, Ethics]
Allan, George. "Cosmological and Civilized Harmonies." Handbook of Whiteheadian Process Thought Vol. I. Edited by Michel Weber and Will Desmond. Heusenstamm, Germany: Ontos Verlag, 2008. 41-55. [abstract]
Ames, Roger T. "Taoism and the Nature of Nature." Environmental Ethics 8, no. 4 (Winter 1986): 317-50. [abstract]
Amodio, Barbara Ann. "Aesthetic Evolution: Value Meaning and the Drama of the Interplay of Opposites with Special Reference to Process Philosophy, Ramanuja and the Tao-Te Ching." Third International Symposium of Field Being, Fairfield University, Fairfield, CT: August 12-17, 1999. [Aesthetics, Creation, Chaos]
_____. "The Aesthetic Plasma of Space and Time: A Field-Being Reflection on Spatialization and Temporalization in Visual Art." Fourth Symposium on Field-Being, Fairfield University, Fairfield, CT: August 2000.
_____. “Quality and Reality: A Pythagorean-Whiteheadian Redefinition of the Existential Mode of Appearance.” Ph.D. Diss., Fordham University, 1979.
Arner, Charlotte. “Morality and Aesthetics: The Relationship of the Moral Order to the Aesthetic Order in Whitehead’s Philosophy.” (unpubl.) [Aesthetics, Ethics]
Asenjo, F. G. “A Phenomenological Analysis of Stravinsky’s ‘Threni’.” Forum 4 (1963): 4-6.
Ashmore, Jerome. “The Artists Adequation.” Man World 3 (Sep.-Nov. 1970): 268-74. [abstract]
Bargeliotes, Leonidas C. “Propositions as a Lure for Aesthetic Feeling.” Diotima 9 (1985): 29-35. [abstract]
_____. “Whitehead’s Metaphysical Contrasts and Their Application To Aesthetic Experience.” Diotima 5 (1977): 7-15. [abstract]
Berndtson, Arthur. “Metaphysics and Aesthetics: Is There a Process Aesthetics?” (unpubl.) [Conf. Paper “Aesthetics and Process Thought” January 1980] [Aesthetics, Metaphysics]
Bertocci, Peter. “Susanne K. Langer’s Theory of Feeling and Mind.” Review of Metaphysics 23, no.3 (March 1970): 527-51. [Aesthetics, Mind]
Beth, E.W and H. J. Pos, Eds. Proceedings of the Tenth International Congress of Philosophy, Amsterdam, August 11-18, 1948. Amsterdam: North-Holland Publishing Company, 1949. [Philosophy of Science, Philosophy of Religion, Ontology, Mathematics, Metaphysics, Philosopy of Nature]
Beyer, Huntley. “Music and Metaphysics at the Moment.” [Aesthetics and Process Thought Conference, January 1980] [Aesthetics, Music]
Blaser, Robin. “The Violets: ‘A Cosmological Reading of a Cosmology’.” Process Studies 13, no.1 (Spring 1983): 8-37. [Aesthetics, Cosmology]
Boulting, Noel. To Be Or Not To Be Philosophical. London: Minerva Press, 2001. [abstract]
Breuvart, Jean-Marie. L'émergence d'une philosophie de l'existence chez Whitehead. Chromatikon II (2006): 35-48.
Brown, Jason W. Mind and Nature: Essays on Time and Subjectivity. London and Philadelphia: Whurr Publishers, 2000. [abstract]
Carter, Curtis L. “Hegel and Whitehead on Aesthetic Symbols.” Hegel and Whitehead: Contemporary Perspectives on Systematic Philosophy, ed. George R. Lucas, Jr. (Albany: State University of New York Press, 1986), 239-56. [Aesthetics, Hegel]
Cobb, John B., Jr. “The Christian, the Future, and Paolo Soleri.” The Christian Century 91 (October 30, 1974): 1008-11.
_____. “Preface.” In The Omega Seed: An Eschatological Hypothesis by Paolo Soleri (Garden City, NJ: Anchor Press/Doubleday), 1981.
_____. “Toward Clarity in Aesthetics.” Philosophy and Phenomenology, 18 (December 1957): 169-89.
Cochrane, J. Scott. “Bibliography on Hartshorne’s Aesthetics.” (unpubl.)
_____. “Toward a Satisfactory Approach to Religion and the Arts: Based Upon Whitehead’s Philosophy of Organism and Susanne K. Langer’s Philosophy of Art.” Ph.D. Diss. Claremont Graduate School, 1986. [Aesthetics, Theory, Film, Methodology, Values]
Coogan, Jack. “Process and Art: Form as Correlative Principle.” (unpubl.)
Cunningham, Elizabeth. “Morality and Aesthetics: The Relationship of the Moral Order to the Aesthetic Order in Whitehead’s Metaphysics.” (unpubl.) [Aesthetics, Metaphysics]
Dalton, Wayne. “The Status of Artistic Illusion in Concrescence.” Process Studies 4, no.3 (Fall 1974): 207-11. [abstract]
_____. “The Fulfillment of Time: A Langerian/Whiteheadian Aesthetic of Music Performance.” Ph.D. Diss. School of Theology at Claremont, 1974. [Aesthetics, Bergson, Cosmology, Music, Time]
Dean, William. “An Aesthetic Interpretation: The Elusive It.” In American Religious Empiricism (New York: State University of New York Press, 1986), 87-99.
_____. Coming To: A Theology of Beauty. Philadelphia: Westminster Press, 1972. [abstract]
_____. Love Before the Fall. Philadelphia, PA: Westminster Press, 1976. [abstract]
_____. “Radical Empiricism and Religious Art.” (unpubl.) [Aesthetics, Empirical Theology]
_____. Review of F. David Martin, Sculpture and Enlivened Space: Aesthetics and History, and Stephen David Ross, A Theory of Art: Inexhaustibility by Contrast. Process Studies 13, no.1 (Spring 1983): 113-16.
_____. “Whitehead’s Other Aesthetic.” Process Studies 13, no.1 (Spring 1983): 104-12. [abstract]
Desmet, Ronny. Review of The Meaning of the Body: Aesthetics of Human Understanding by Mark Johnson. In Process Studies 38, no. 1 (Spring-Summer 2009): 158-61.
Dicken, Thomas M. “Visions of Reality and Meaning in the Thought of John Berger.” Ultimate Reality and Meaning 25, no. 3 (2002): 168-184.
Dilling, Margaret. “The Aesthetic Theory of Charles Ives”, January 1980 [Conference Paper].
_____. “Listening to Ives: An Introduction”, January 1980 [Conference Paper]. [Aesthetics, Music]
Dombrowski, Daniel A. Divine Beauty: The Aesthetics of Charles Hartshorne. Nashville: Vanderbilt University Press, 2004. [abstract]
Doud, Robert E. "Orphism in Whitehead and Some Other Poetic Thinkers." Process Studies 33, no. 2 (Fall-Winter 2004): 323-338. [Aesthetics, Cosmology]
_____. "To an Old Theologian in Claremont." Process Perspectives: Newsmagazine of the Center for Process Studies 31, no. 1 (Spring 2008): 16.
Dryden, Donald. “Whitehead’s Influence on Susanne Langer’s Conception of Living Form.” Process Studies 26, no. 1-2 (Spring-Summer, 1997): 62-85.
Faas, Ekbert. “From Mimesis to Kinesis: The Aristotelian Dramatic Matrix, Psychoanalysis, and Some Recent Alternatives.” Process Studies 13, no. 1 (Spring, 1983): 88-103. [Aesthetics, Psychology]
Faber, Roland. "Process Theology as Theopoetics." Seminar Given in Kresge Chapel at Claremont School of Theology on February 7, 2006. [Aesthetics, Deleuze, Eschatology, Becoming]
Fallon, April. “Poetry and Process.” The Midwest Quarterly 45, no. 3 (Spring 2004): 256-272.
Fan, Meijun. "Process Thought in Chinese Traditional Arts." Seminar present at Claremont School of Theology (Claremont, CA, October 22, 2002). [Aesthetics, Education]
Frankenberry, Nancy. "The Logic of Whitehead's Intuition of Everlastingness." The Southern Journal of Philosophy vol. 21, issue 1 (1983): 31-46. [Aesthetics, Logic]
Freeman, Eugene. “Inter-Relatedness of ‘True,’ ‘Good,’ and ‘Beautiful.’” In Process and Divinity: Philosophical Essays Presented to Charles Hartshorne, eds. Wiliam Reese and Eugene Freeman (La Salle: Open Court Publishing Co., 1964), 325-41.
Frisina, Warren. “Knowledge As Active, Aesthetic, and Hypothetical.” Journal of Speculative Philosophy 5, no. 1 (1991).
Gablik, Suzi. “The Reenchantment of Art: Reflections on the Two Post-modernisms.” In Sacred Interconnections: Postmodern Spirituality, Political Economy, and Art, ed. David R. Griffin. Albany: State University of New York Press, 1990), 177-92.
Garcia-Rivera, Alejandro. "Endless Forms Most Beautiful." Theology and Science 5, no. 2 (2007): 125-135. [abstract] [Aesthetics, Empirical Theology]
Gier, Nicholas F. “Whitehead, Confucius, and the Aesthetics of Virtue.” Asian Philosophy 14, no. 2 (2004). [Aesthetics, Non-theism, Naturalism]
Gilmour, John C. “Art and Expression of Meaning.” Process Studies 13, no. 1 (Spring 1983): 71-87.
_____. “Artistic Truth and the Expression of Feeling”, January 1980 [Conference Paper].
_____. Picturing the World. Albany: State University of New York Press, 1986. [abstract]
Grange, Joseph. "Cosmological and Uban Spaces." Handbook of Whiteheadian Process Thought Vol. I. Edited by Michel Weber and Will Desmond. Heusenstamm, Germany: Ontos Verlag, 2008. 667-677. [abstract]
Graves, Mark. "Emergence of Transcendental Norms in Human Systems." Zygon 44, no. 3 (September 2009): 501-531. [abstract] [Aesthetics, Science and Religion, Emergence, Systems]
Greene, Herb. Painting the Mental Continuum: Perception and Meaning in the Making. Berkeley, CA: Berkeley Hills Books, 2003. [abstract]
Griffin, David Ray, ed. Sacred Interconnections: Postmodern Spirituality, Political Economy, and Art. Albany: State University of New York Press, 1990. [abstract]
Gu, Ming Dong. "Aesthetic Suggestiveness in Chinese Thought: A Symphony of Metaphysics and Aestetics." Philosohpy East and West 53, no. 4 (October 2004): 490-513. [abstract]
Gunter, Peter A.Y. “A Whiteheadian Aesthetics of Nature: Beauty and the Forest.” Process Studies 33, no.2 (Fall-Winter 2004): 314-322. [Aesthetics, Philosophy of Nature]
Hammond, John. “Whitehead’s Aestheticism: An Outline of My Remarks.” April 6, 1995. (unpubl.) [Aesthetics, Whithead]
Hare, Peter H. “Feeling Imaging and Expression Theory.” Journal of Aesthetics and Art Criticism 30, no.3 (Spring 19720): 343-50. [Aesthetics, Psychology]
Hartshorne, Charles. “Aesthetic Aspects of the Idea of God.” Philosopher’s Speak of God. Chicago: The University of Chicago Press, 1953. Reissued by Midway Reprints, 1976, p. 329f. [Aesthetics. God Concepts]
_____. “The Aesthetic Matrix of Value.” Creative Synthesis and Philosophic Method. London: SCM Press Ltd., 1970; LaSalle: Open Court, 1970, pp. 303-322.
_____. “The Aesthetic of Birdsong.” Journal of Aesthetics and Art Criticism 26:3 (1968): 311-315.
_____. “Alleged Criteria of the Distinctness of Sensation and Feelings.” The Philosophy and Psychology of Sensation. Chicago: The University of Chicago Press, 1934, pp. 130-135.
_____. “Bergson’s Aesthetic Creationism Compared to Whitehead’s.” In Bergson and Modern Thought, eds., A. C. Papanicolaou and P. A. Y. Gunter, Chur, Switzerland: Harwood Academic Publishers, 1987, pp. 369-382. [Aesthetics, Bergson]
_____. “Duality in Aesthetics.” The Philosophy and Psychology of Sensation. Chicago: The University of Chicago Press, 1934, pp. 159-190.
_____. “Expression and Association.” In Artistic Expression, ed., John Hospers, New York: Appleton-Century-Crofts, 1971, pp. 204-217.
_____. "God as Composer-Director, Enjoyer, and, in a Sense, Player of the Cosmic Drama." Process Studies 30, no. 2 (Fall-Winter 2001): 242-53.
_____. “God and the Beautiful.” Man’s Vision of God. Hamden, CT: Archon Books, 1964 [1941], pp. 212-229.
_____. “Harmony in Life and Nature.” Reality As Social Process: Studies in Metaphysics and Religion. Glencoe: The Free Press; Boston: The Beacon Press, 1953. Reprinted by Hafner, 1971, pp. 44-52. [Aesthetics, Earth and Ecology]
_____. “The Intelligibility of Sensations.” Monist, 44, no.2 (July, 1934), 161-185.
_____. “Objective Feelings.” The Philosophy and Psychology of Sensation. Chicago: The University of Chicago Press, 1934, pp.117-124.
_____. “The Philosophy of Creative Synthesis.” Symposium: Creativity as a Philosophical Category, Journal of Philosophy, 55: 22 (October 23, 1958), 944-953. [Aesthetics, Creativity]
_____. “The Principle of Shared Creativity.” Unitarian Symposia No.6, What Can Religion Offer Modern Man? (April, 1959), 1-8. [Aesthetics, Creativity]
_____. “Religion and Creative Experience.” Unitarian Register and Universalist Leader 141, no.6 (June, 1962), 9-11. [Aesthetics, Creativity]
_____. “Sense Qualities and Adaptation.” The Philosophy and Psychology of Sensation. Chicago: The University of Chicago Press, 1934, pp. 250-262.
_____. “Sense Quality and Feeling Tone.” Proceedings of the Seventh International Congress of Philosophy, ed., Gilbert Ryle. London: Oxford University Press, 1931, pp. 168-172.
_____. “Some Empty Though Important Truths.” Logic of Perfection and Other Essays in Neoclassical Metaphysics. LaSalle: Open Court, 1962, pp. 280-298.
_____. “The Structure of Metaphysics: A Criticism of Laxerowitz’s Theory.” Philosophy and Phenomenological Research 19, no.2 (December, 1958), pp. 226-240. [Aesthetics, Metaphysics]
_____. Wisdom as Moderation: A Philosophy of the Middle Way, Albany, NY: State University of New York Press, 1987.
Henning, Brian G. The Ethics of Creativity. Pittsburg: The University of Pittsburg Press, 2005. [Aesthetics, Ethics, Creativity, Whitehead, Metaphysics]
_____. "Is There an Ethics of Creativity?" Chromatikon II (2006): 161-173.
_____. “On the Possibility of a Whiteheadian Aesthetics of Morals.” Process Studies 31, no.2 (Fall-Winter 2002): 97-114. [Aesthetics, Ethics]
Highwater, Jamake. “Imagination As Political Force”, January 1987 [Conference Paper]. [Aesthetics, Political Theory]
Howell, Nancy R. “The Importance of Being Chimpanzee.” Theology and Science. 1, no. 2 (October 2003): 179-91. [abstract] [Aesthetics, Language, God Concepts, Sin, Spirituality]
Hulbert, Steve. "Philip Rose, On Whitehead." Review of On Whitehead. Chromatikon II (2006), 251-254. [Aesthetics, Value, Freedom, Whitehead]
Inada, Kenneth K. "A Theory of Oriental Aesthetics: A Prolegomenon." Philosophy East and West 47, no. 2 (April 1997): 117 131. [Aesthetics, Buddhism, Metaphysics]
Itow, Shigeyuki. “A. N. Whitehead and Koji Hasegawa: Toward an Aesthetic Inquiry.” Process Thought 11 (2004): 61-84. [Aesthetics, Whitehead]
Jenkins, Phil. Review of The Ethics of Creativity: Beauty, Morality, and Nature in a Processive Cosmos by Brian G. Henning Process Studies37, no. 1 (Spring-Summer 2008): 192-95. [Aesthetics, Ethics, Creativity]
Jennhomme, J. M. P. “The Symbolic Philosophy of Susanne K. Langer.” Neue Zeitschrift Fur Systematische Theologie Und Religionsphilosophie 27, no.2 (1985): 159-176.
Johnson, A. H. “Truth, Beauty and Goodness in the Philosophy of A. N. Whitehead.” Philosophy of Science 11, no.1 (1944). [Aesthetics, Value Theory]
Josties, Jerry. "Process and Faith: Zombies in the Mist." Process Perspectives: Newsmagazine of the Center for Process Studies 30, no. 3 (Winter 2008): 14. [Aesthetics, Science and Religion]
Kuntz, Paul. “Lotze as a Process Philosopher.” Idealistic Studies 9, no. 3 (September 1979): 229-42. [abstract] [Aesthetics, Creation, Omnipotence]
Lachman, Rolf."From Metaphysics to Art and Back:The Relevance of Susanne K.Langer's Philosophy for Process Metaphysics."Process Studies 26, nos.1-2 (Spring-Summer 1997): 107-25. [abstract] [Aesthetics, Whitehead, Metaphysics]
_____. “Introduction: Special Focus on Susanne K. Langer and Whitehead.” Process Studies 26, no.1-2 (Spring-Summer, 1997): 57-61. [Aesthetics, Whitehead]
Lachs, John and Robert Talisse, eds. American Philosophy: An Encyclopedia - entry on Susanne Langer. New York and London: Routledge, 2008. (Available at Honnold)
Langer, Susanne K. Feeling and Form. New York: Charles Scribner’s Sons, 1953. [Developed from Philosophy in a New Key] [abstract]
_____. Philosophy in a New Key: A Study in the Symbolism of Reason, Rite, and Art. Cambridge, MA: Harvard University Press, 1942.
_____. Problems of Art. New York: Charles Scribner's Sons, 1957. [abstract]
Lango, John W. Review of The Ethics of Creativity: Beauty, Morality and Nature in a Processive Cosmos by Brian G. Henning. Transactions of the Charles S. Peirrce Society 42, no. 3 (Summer 2006): 450-454. [Aesthetics, Ethics, Creativity]
Li, Zehou and Jane Cauvel. Four Essays on Aesthetics: Toward a Global View. Lanham, MD: Lexington Books, 2006. [abstract]
Lubarsky, Sandra B. “Beauty, Feminism, and Jewish Theology.” Creative Transformation 14, no. 2 (Spring, 2005): 2-6.
Martin, F. David. Art and the Religious Experience: The ‘Language’ of the Sacred. Lewisburg: Bucknell University Press, 1972. [abstract]
_____. “The Persistent Presence of Abstract Painting.” The Journal of Aesthetics and Art Criticism 28 (Fall 1969): 23-31. [abstract]
_____. “The Power of Music and Whitehead’s Theory of Perception.” Journal of Aesthetics and Art Criticism. 25 (Spring 1967): 313-22. [abstract] [Aesthetics, Music]
_____. Review: C. H. Waddington, Behind Appearance. Process Studies 4, no.1 (Spring, 1974): 51-55. [Aesthetics, Biology]
_____. Sculpture and Enlivened Space: Aesthetics and History. [???]
_____. “Unrealized Possibility in the Aesthetic Experience.” The Journal of Philosophy 52 (July 1955): 393-400. [abstract]
Martin, James Alfred, Jr. “Alfred North Whitehead.” In Beauty and Holiness: The Dialogue between Aesthetics and Religion (Princeton, NJ: Princeton University Press, 1990), 118-22. [Aesthetics, Whitehead]
Marshall, Rick "The Sixth Annual Whitehead International Film Festival." Process Perspectives: Newsmagazine of the Center for Process Studies 29, no. 3 (Winter 2007): 9-10. [Aesthetics, Film]
Maynard, James. "Extending the Field: Robert Duncan and Alfred North Whitehead." Process Studies 36, no. 1 (Spring-Summer 2007): 68-88.
Mazzaella, Patricia. “The Square Dance of Eternal Objects.” Process Studies 17, no.1 (Spring, 1988): 1-8.
Meland, Bernard Eugene. “Art, Religion and the Cultural Mood.” (unpubl.) [abstract]
_____. “The Appreciative Approach in Religion.” The Journal of Religion 14, no. 2 (April 1934): 194-204. [abstract] [Aesthetics, Ethics, Worship]
_____. “Two Paths to the Good Life.” Personalist 23 (Jan-Winter 1942): 53-61. [abstract]
Menta, Timothy. Review of Divine Beauty: The Aesthetics of Charles Hartshorne by Daniel A. Dombrowski Process Studies 34, no. 1 (Spring-Summer 2005): 141-43.
Mesle, C. Robert. “Aesthetic Value and Relational Power: An Essay on Personhood.” Process Studies 13, no.1 (Spring 1983): 59-70. [Aesthetics, Metaphysics, Power, Whitehead]
Monelle, Raymond. “Symbolic Models in Music Aesthetics.” The British Journal of Aesthetics 19 (Winter 1979): 24-37. [abstract]
Morreall, John. Review of Illuminating Dance: Philosophical Explorations, by Maxine Sheets-Johnstone. In Process Studies 15, no. 2 (Summer, 1986): 140-41.
Morris, Randall C. "Whitehead and Legal Realism" Process Studies 35, no. 1 (Spring-Summer 2006): 95-107.
Murata, Haruo. “Beauty and Ethics in Organization.” Organizational Science. 33, no. 3 (2000): 4-13. [in Japanese] [Aesthetics, Ethics, Japan]
Murray, H. J. “Aesthetic Experience and Empirical Theology in the Philosophies of J. Dewey, Alfred North Whitehead, and H. Weiman.” Ph.D. Dissertation [???]
Nagasako, Hidenori. "The Relation of Nishida Kitaro's View on Art to Confucianism." [in Japanese]. Bigaku: The Japanese Journal of Aesthetics 55, no. 1 (Summer 2004): 14-27. [abstract] [Aesthetics, Love]
Neville, Robert. “Intuition.” International Philosophical Quarterly 7, no. 4 (December 1967): 556-90. [abstract] [Aesthetics, Justice, Relationality]
Odin, Steve. Artistic Detachment in Japan and the West: Psychic Distance in Comparative Aesthetics. Honolulu: University of Hawaii Press, 2001. [abstract] [Aesthetics, Japan]
_____. “Blossom Scents Take Up the Ringing: Synaesthesia in Japanese and Western Aesthetics.” Soundings 69, no.3 (Fall 1986): 256-81. [Aesthetics, Japan]
_____. “The Penumbral Shadow: A Whiteheadian Perspective on the Yugen Style of Art and Literature in Japanese Aesthetics.” Japanese Journal of Religious Studies 12, no.1 (March 1985): 63-90. [Aesthetics, Japan, Literature][Aesthetics, Japan, Literature]
_____. “A Post-Modern View of Aesthetic Symbolism: Shingon Esoteric Buddhism and Whitehead’s Theory of Symbolic Reference.” (unpubl.) [Aesthetics, Postmodernism, Whitehead]
_____. “Postmodernism and Aesthetic Symbolism in Japanese Shingon Buddhism.” In Sacred Interconnections: Postmodern Spirituality, Political Economy, and Art, ed. David R. Griffin (Albany: State University of New York Press, 1990), 193-215.
Ozaki, Makoto. “Nature, Eternity, and Art: From Tanabe’s Philosophical Perspective.” (Unpubl.) [Aesthetics,
Park, Dong-Sik. “Toward a Theology of Tears: God as the Poet of the World.” (unpubl.) [Aesthetics, Evil, Freedom, God Concepts, Pluralism]
Parker, Becky. “Art, Creativity, and Process Thought.” (unpubl.) [Aesthetics, Creativity]
Pederson, Ann. God, Creation, and All That Jazz. St. Louis: Chalice Press, 2001.
Peimin, Ni and Stephen Rowe. Wandering; Brush and Pen in Philosophical Reflection. Chicago, IL: Art Media Resources, 2002.
Peters, Eugene. “The Aesthetic Motif.” In Hartshorne and Neoclassic Metaphysics (Lincoln: University of Nebraska Press, 1970), 93-112.
Pittenger, Norman. “Beauty in a World in Process.” Anthropos Theophoros Review 1, no. 1 (1976): 3-11. [abstract]
_____. “The Priority of the Aesthetic.” Faith and Freedom 40, no.118 (Spring 1987): 21-29.
Press, Howard. E. “The Aesthetic Basis of Whitehead’s Philosophy.” Ph.D. Dissertation. Columbia University, 1967.
Randolph, Robert M. “The Novum as Meaning.” Process Studies 31, no.2 (Fall-Winter 2002): 138-155. [Aesthetics, Creativity, God Concepts, Literature]
Reynolds, Blair. “The Revival of Ecstasy in Process Aesthetics.” Creative Transformation (Winter 1996): 14-16. [Aesthetics, Mysticism]
_____. “Whitehead’s Aesthetic and Mystical Ecstasy: Some Preliminary Comparisons.” (unpubl.) [Aesthetics, Mysticism, Whitehead]
Rosenthal, Sandra B. "Response to John E. Smith: Pragmatism's Metaphysical Vision." Transactions of the Charles S. Pierce Society 23 (Summer 1987): 373-380. [Aesthetics, Pragmatism]
Ross, Stephen David. The Gift of Beauty: The Good as Art. Albany: State University of New York Press, 1996. [abstract]
_____. A Theory of Art: Inexhaustibility by Contrast. Albany: State University of New York Press, 1982. [abstract]
Ross, Susan A. "Women, Beauty, and Justice: Moving Beyond von Balthasar." Journal of the Society of Christian Ethics 25, no. 1 (Spring/Summer): 79-98. [abstract] [Aesthetics, Ethics, Feminism]
Sayer, Rowanne. “The Good, the Bad, and the Beautiful: Differentiating Between Aesthetic and Ethical Lures of Feeling in the Process Thought of A.N. Whitehead.” Process Studies 32, no.1 (Spring-Summer 2003): 62-78. [Aesthetics, Ethics]
Schloesser, Stephen, S.J. “The Method of Abstraction: A Musical Analysis.” Process Studies 15, no.1 (Spring, 1986): 19-31. [Aesthetics, Music]
Schroeder, W. Widick, "The Ordering of the Social Sciences in the Perspective of Process Philosophy." (unpubl.) [Aesthetics, Ethics]
_____. “Process Thought and the Social Sciences.” (unpubl.) [abstract] [Aesthetics, Psychology, Relationality]
Schwaller de Lubicz, R. A. Nature Word: Verbe Nature. West Stockbridge, MA: The Lindisfarne Press, 1982. [abstract]
Sharpe, Kevin and Leslie Van Gelder, "Human Uniqueness and Upper Paleolithic "Art": an Archaeologist's Reaction to Wentzel van Huyssteen's Gifford Lectures. American Journal of Theology & Philosophy 28, no. 3 (September, 2007): 311-345.
Shelley, Cameron. "Consciousness, Symbol and Aesthetics: A Just-So Story and its Implication in Susanne Langer's mind: An Essay on Human Feeling." Philosophical Psychology 11, no. 1 (March 1998): 45-66. [abstract]
Sherburne, Donald W. “Editor's Preface.” Process Studies 13, no.1 (Spring, 1983): 1-7
_____. “Meaning and Music.” Journal of Aesthetics and Art Criticism 24 (1966): 579-83. [Aesthetics, Music]
_____. A Whiteheadian Aesthetic: Some Implications of Whitehead’s Metaphysical Speculation. New Haven, CT: Yale University Press, 1961. [abstract]
Simmons, J.R. “Whitehead’s Aesthetic of Nature.” Southern Journal of Philosophy 6 (1968): 14-23.
Smith, James L. “Aesthetics and Art Within a Whiteheadian Cosmology.” Ph.D. Dissertation. Tulane University, 1969. [Microform from Ann Arbor, MI: University Microfilms International] [missing, May 1997] [Aesthetics, Cosmology, Whitehead]
Snyder, Robert F. “Cognition and the Life of Feeling in Susanne K. Langer.” Ph.D. Dissertation. Harvard University, 1991. [Aesthetics, Logic]
_____. Review: F. David Martin, Art and Religious Experience: The ‘Language’ of the Sacred. Process Studies 3, no.3 (Fall, 1973): 230-35.
Soleri, Paolo. The Bridge between Matter and Spirit is Matter Becoming Spirit: The Arcology of Paolo Soleri. Garden City, NY: Anchor Books, 1973. [abstract]
Spencer, John B. “Meland’s Alternative in Ethics.” Process Studies. 6, no. 3 (Fall 1976): 165-80. [abstract] [Aesthetics, Ethics, Value Theory]
Staab, Janice M. E. “The Art of the Sacred: A Philosophy of Human Response.” Dialogue: Journal of Phi Sigma Tau 30 (Apr. 1988): 56-61. [abstract]
Stern, Alfred Leon. “Whitehead’s Metaphysics and Esthetics.” Ph.D. Diss., New York University, 1952. [abstract] [Aesthetics, Metaphysics, Whitehead]
Stone, Alison. "Friedrich Schlegel, Romanticism, and the Re-enchantment of Nature.” Inquiry: An Interdisciplinary Journal of Philosophy 48, no. 1 (February 2005): 3-25. [abstract] [Aesthetics, Creativity, Nature]
Stone, Else and Kurt Stone. The Writings of Elliott Carter: An American Composer Looks at Modern Music. Bloomington: Indiana University Press, 1977. [abstract]
Strang, Veronica. "Introduction. Fluidscapes: Water, Identity and the Senses." Worldviews 10, no. 2 (2006): 147-54.
_____. "Substantial Connections: Water and Identity in an English Cultural Landscape." Worldviews 10, no. 2 (2006): 155-77. [abstract]
Sullivan, William M. “Whitehead, Professor Hall and the Limitations of the ‘Aesthetic Event.’” (unpubl.) [Aesthetics, Hall] [abstract] [Aesthetics,Political Theory]
Thistlewood, David. Herbert Read: Formlessness and Form. Boston: Routledge & K. Paul, 1984. [abstract]
_____. “Organic Art and the Popularization of a Scientific Philosophy.” The British Journal of Aesthetics 22 (Fall 1982): 311-21. [abstract]
Turner, Frederick. “Escape from Modernism: In Science, Religion, Politics, and Art.” In Sacred Interconnections: Postmodern Spirituality, Political Economy, and Art, ed. David R. Griffin (Albany: State University of New York Press, 1990), 143-62.
Valenza, Robert J. "Aesthetic Priority in Science and Religion." Process Studies 31, no.1 (Spring-Summer 2002): 49-76. [Also given as a Seminar April 20, 2000, Claremont School of Theology] [Aesthetics, Science and Religion]
Vaught, Carl G. The Quest for Wholeness. Albany: State University of New York Press, 1982. [abstract]
Virtue, Charles. “A Whiteheadian Ethic: The Ethic of Responsible Freedom.” (unpubl.) [abstract] [Aesthetics, Ethics, Freedom, Metaphysics, Ontology, Whitehead]
Voskuil, Duane M. “Whitehead’s Metaphysical Aesthetic.” Ph.D. Dissertation. Columbia, MO: University of Missouri, 1969. [Aesthetics, Metaphysics, Whitehead]
Waddington, Charles H. Behind Appearance. Cambridge, MA: MIT Press, 1970. [abstract]
Wall, John. “The Creative Imperative: Religious Ethics and the Formation of Life in Common. ” Journal of Religious Ethics 33, no. 1 (2005): 45-64. [abstract] [Aesthetics, Creativity, Ethics]
Wessell, Leonard P. Zur Funkion Des Aesthetischen in Der Kosmologie Alfred North Whiteheads. New York: Peter Lang, 1990.
Whitehead, A. N. “Beauty,” and “Truth and Beauty.” In Adventures of Ideas, New York: The Free Press, 1967 [1933], pp. 252-272.
Woollen, Evans. “Towards an Architecture of Process.” Arts and Architecture 3, no.4 (1985)
Wyman, Mary A. The Lure for Feeling in the Creative Process. New York: Philosophical Library, 1960 [Not catalogued. There is a photocopy of the book filed in the dissertation section.]
Yoon, Ja-Jung. “A.N. Whitehead’s Theory of Perception and Aesthetic Experience.” The Journal of Whitehead Studies 6 (June 2003): 9-42. [In Korean] [abstract]