Magliola, Robert. Derrida on the Mend. West Lafayette: Purdue University Press, 1984.
Abstract
The problematic of the text Derrida on the Mend
is suggested by the pun built into the title. Derrida is indeed astride
the "mend" whereby logocentrists (theorists who affirm "organic unity")
think to repair the "rents" in organicism. Derrida is indeed devouring
the mend, but his quandary is that he must use logic (a logocentric
operation) to do so. For Derrida to be "on the mend" in the other sense
animating the pun, a means must be found to heal the quandary while
preserving deconstruction. This text argues for such a means: the
author finds in Nagarjuna, a Buddhist naturalist of the first centurt
A.D., three deconstructive techniques also used by Derrida. Nagarjuna,
however, is able to reinstate logic and organicism while continuing the
deconstructive process. He does so through his specialized version of
the Buddhist "two truths," a solution which our author adopts, adapts,
and universalizes. Derrida
on the Mend has four parts and an appendix. The first
provides a lengthy "reading" of Derrida, a service still much needed by
today's philosophers and literary theorists. The second part locates a
recension/redaction of Heideggerian thought at a site the author calls
centric mysticism. Throughout this section, there are "original"
applications to literature. The third part presents the "full-scale"
analysis of Nargjunist technique, and then goes on to develop a
"differential" Buddhism contrasting very much with "voidism," mystical
"unity of opposites" (such as D. T. Suzuki's version of Zen), and other
"centric" Buddhisms. Replete with treatments of Buddhist poetry, it
summons Buddhologists to a critical "rereading" of the Buddhist
tradition. The fourt part, perhaps the most "groundbreaking" of all,
applies "differentialism" to monotheism and Christian theology and
develops a nonentitative trinitarianism which revises contemporary
theological thought significantly. In the lengthy appendix, comprised
of two sections, some of what the author has worked out in the body of
the text is applied to Western literary theory and to "practical"
criticism.